Week 23 (April 29, 2010)
What is your favorite Heritage Color? And yes you have to pick just one!
155 members have voted
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1.
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Almond Sunburst22
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Amber Translucent5
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Antique Cherry Sunburst5
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Antique Natural9
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Antique Sunburst16
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Black0
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Black Translucent3
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Blue Opaque0
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Blue Translucent12
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Burnt Amber5
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Cherry Translucent3
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Chestnut Sunburst11
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Dark Almond Sunburst7
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Emerald Green Translucent3
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Gold Top7
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Natural3
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Old Style Sunburst17
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Orange Translucent4
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Red Opaque1
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Rose Natural1
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Sunsetburst7
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Vintage Sunburst14
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White Opaque1
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Well, today I am out of work due to hurt ribs. I don't know what I did other than get older but boy does it hurt. No playing today but plenty up to this point.
Last week I mentioned I was working the Cmaj scale in the 6/2 position as well as the Cmaj Pentatonic scale in the same position and was starting on the A Aeolian scale also in the Cmaj 6/2 position.
In that theme, I have been playing the arpeggios for Cmaj7 Ionian, Dmin7 Dorian, Emin7 Phrygian, Fmaj7 Lydian, G7 Mixolydian, Amin7 Aeolian and Bmin7b5 Locrian in the 6/2 position. (I mention the modes so as to be clear what scale is being used that the chords are being derived from).
As I play these arpeggios, I am being careful to spell the notes as I play them so it isn't merely becoming a dexterity exercise. I also make sure I am aware of the interval that I am playing. For example, I try to be aware that if I am playing the C that is at the 8th fret of the low E, that I know in the Cmaj scale, it is the root. In the D dorian scale, it is the 7. In the Fmaj Lydian, it is the 5 and so on.
There is also a good ear trainer online that I have been using for the last week.
With the context that Sal has provided me, I am growing more and more confident with what I am learning. Very pleased so far.
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