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Pressure, you haven't changed a bit. And those are pretty decent guitars, I'd say. My 1996 H535's label has Marv's signature, along with all the other owners of the day, and Ren. Don't know why they all signed that one, but it's a neat feature. Thoroughly lousy pic below...
- Today
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Introducing the Heritage Custom Shop Core Collection H-717
Steiner replied to pressure's topic in Heritage Guitars
No. Eagles were Classic, Golden and Super. Never a number that I saw. -
And last but not least the Heritage Millie SuperLight. Hand built by Master luthier Mr. Pete Farmer at the Heritage factory with the new guard.
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I had the privilege to have custom Heritage guitars built for me. Here are a few. This is the first Millie they built for me. Marv, me and Jim with the unfinished Millie.
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I’ve had 14s on my Super KB for years. No problem. But, your point is well taken.
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I have given them a try nice pickups! The CC pickup in the neck position is a particularly cool pickup. I'm not a fan of Lollars across the board, but they make certain pickups that do it for me. The Heritage H535 P90 that Kuz sold me has a particularly good set of Lollar P90s which generally I never liked before, buit these pickups changed my mind about Lollar P90s... My Teye La Perla has custom made for Teye Lollar low wound Imperials and I LOVE them... [img]https://i.imgur.com/HMAEORY.jpg[/img]
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Would you show any of his handwrittings or signature off his built Heritages?
- Yesterday
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I bet Marv built tons of Heritage guitars along with the other owners. And other builders. good luck documenting any of them I recognize his handwriting on a lot of labels
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Introducing the Heritage Custom Shop Core Collection H-717
bolero replied to pressure's topic in Heritage Guitars
there was a 225 parsons st model too Did the eagle have a model #? -
I used 0.011s on my ‘94 H-550. They were pretty slinky but still drove the guitar well. Lots of punch.
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For the record, Heritage ships their archtops with 12s on them. I, personally, would be a little concerned putting that much tension on the top with 14s. Vince Lewis, a jazz master and Heritage endorser, uses 11s and 10s on his Sweet 16s.
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The headstock repair looks to be a pretty solid and clean job, too! Nice score!
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Must be a pretty stiff neck to jump two guages without a tweak. Fantastic.
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Apparently that was me… but it wasn’t I who disagreed with you, it was my big dumb clumsy scrolling thumb that took the low road there. My apologies; was not intentional. This has been rectified and replaced with a much more appropriate up vote; my fingers will be punished to the fullest extent of whatever my imagination can come up with for a witty and clever finger specific punishments. My thumbs laugh in the face of truth and physics.
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MartyGrass started following H550: what a difference a gauge makes and Marvin lamb and his H150/H157?
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I know he was involved in the H-157 staple single coil model. I think they made a few dozen.
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Next time go to 20s!!