All Activity

This is a photo taken for a story by a local paper in 2013. It just so happens that Marv was working on a couple of 357s. The one on the bench is mine and the one Marv is holding is Bolero's. I know mine is the one on the bench as it was running a few weeks behind waiting on my custom fret board, "From them boys down in Tennessee". Marv sent me several in process shots of the build, but it's nice to have an action shot of the build. https://www.mlive.com/news/kalamazoo/2013/02/love_where_you_live_photos_by.html

I use my modeling stuff for FX too. . So many cool verbs, DDLs, Choruses, etc. I use the QC and LIne 6 stuff in 4CM and it makes it ultra simple to get around sound wise. Maybe it's my old ears, but I had a hard time differentiating between my pedals and their digital counterparts. I find a slight difference in how they feel when playing them, mostly the overdrive/distortion stuff, but I find a slight difference in using different pedals anyway. I am going to get the sound I hear in my head no matter what. It's a matter of how easy it is to get it.

I've seen in a couple of places that Heritage has reduced the price on Standard line models. Might be time to jump on something!

Staying on the history of Marv at Gibson and Heritage. Marv sent me this picture last night. He made this one off when Gibson was still at Parsons St. He called it his Bo Diddley guitar. There is a lot more story behind it. He told me it has the original strings on it from around 1980. I told him it's time for a string change. We had a chuckle about that.

Actually, the post was made by Taylor Lawrence, who is Marv's grandaughter.

Wow so Marvim lamb is your grandpa? Amazing !!!

That is really a cool pic of him holding one of his creations!

I talked to Marv last night. He sounds good and said he is feeling well. He told me he will be turning 86 this year. He is enjoying life and his offspring that is getting extensive. We were talking about H-357s and the one he is holding. That is one of the Korina models he did. Came from California. He brought up Ron Warren and he hadn't heard he passed. He loved the picture Ron did for him.

I didn't switch to a modelling amp. I like my amps with very clean settings. I did switch to a Boss GX-10 multi effect unit that has 32 amplifier types and 170 BOSS effects. Short of some guitar synth sounds, I can pretty much get everything I need out of this and a Tele. I bought it because much of the music I'm playing now requires layers of delay, reverb, distortion, etc. And I got tired of tap dancing on my analog pedal board. With this, I line up the presets that I program in the order of the set and hit the up or down button as needed. The presets use different amps as needed. It's just much easier to deal with.

Love this! Looking great Marv!!

those are nice pickups!

Marv is looking good! excellent story & pic, thanks for posting that I recall meeting Marv's grandson at PSP one year

Lol, well said Kuz. I'm lugging around tube amps to this day. I do have a solid state, pedal amp only as a backup. That Metropoulos amp I'm using has power settings from 10/25/50 watts, but unlike most amps that offer such features, the tone doesn't change. A lot of work went into it from what I understand, but make no mistake, it's a boutique amp and isn't cheap.

I have gotten to spend a weekend with the H-150 Deluxe. For various reasons a friend of mine had it after purchase because of the weight. It was about 9.5lbs. Did know at the the time that is the norm though there are always variations. Ren from Heritage gave me the following info and the cavity cover confirmed it. The pickups are Seth Lover Zebras that deviate from the spec as well as the tuning pegs are not Grovers. Product Details __________________ Top: Curly Maple upgraded Back: Mahogany Neck: Mahogany Fingerboard: Rosewood Scale: About 628mm- (24-3/4") Pickup: Humbucker×2 Pegs: Grover Weight: About 4,28kg Accessories: Heritage Hard-case. More info on label under back control cover. Be careful not to chip finish. Thanks for the input.

Did Heritage ever make a HRW floating pup?

Great story!

Marv's granddaughter posted this on Facebook. Rare Bird Sighting! A few weeks ago, I posted looking for leads on a MarvBird—a special guitar made by luthier Marvin Lamb, who also happens to be my grandfather. My husband became obsessed with the hunt and started digging everywhere. And thanks to one of YOU, we were blessed with the opportunity to bring one home to the family! Thank you for all the love you continue to show for Marvin’s craft and legacy—it means the world to us.

surprisingly no. plays great, sounds great. action maybe a little bit higher, but not an issue.

I’m sure it affected the set up. Did you change it?

I just started putting D’addario XS 12.5s on my Gibsons acoustics (J-45, Southern Jumbo, SJ-200) and the 12.5s are a perfect goldilock compromise between 12s and 13s. I use my acoustics for singer/songwriter music so I am not bending or using much vibrato much at all. I want volume, tone, feel, & projection from strumming and finger-picking playing so the 12.5s are perfect (in my opinion) for Gibson bigger body acoustics!

I've always found this to be true. It's worth it to spend a few bucks to see what your guitar likes. Recently I went through that with my Martin HD28, and I didn't like 13's. so I knocked it back to 12.5s and found a happy medium between tone and playability. But I can without a doubt that when it's time to record I won't use any coated strings.

I've always found this to be true. It's worth it to spend a few bucks to see what your guitar likes. Recently I went through that with my Martin HD28, and I didn't like 13's. so I knocked it back to 12.5s and found a happy medium between tone and playability. But I can without a doubt that when it's time to record I won't use any coated strings.

I've always found this to be true. It's worth it to spend a few bucks to see what your guitar likes. Recently I went through that with my Martin HD28, and I didn't like 13's. so I knocked it back to 12.5s and found a happy medium between tone and playability. But I can without a doubt that when it's time to record I won't use any coated strings.

I've always found this to be true. It's worth it to spend a few bucks to see what your guitar likes. Recently I went through that with my Martin HD28, and I didn't like 13's. so I knocked it back to 12.5s and found a happy medium,

Not a big fan of pick guards. Back in the day of the Custom Shop I would have them leave it off and put it in case. Options