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Roy Clark Signatures have many variations over the years. There was a limited run of essentially H-535s with his name on them and with exception wood figuring. But the original design is a single cutaway that's deeper than the H-535s for higher fret access. The thinking of the single vs. double cutaway is that there is more bling facing the audience, a larger resonance chamber, and a little more body weight to avoid neck dive. You'll find them with double and single cutaways, maple and mahogany necks, dots, blocks and split block inlays, and some with Bigsbys. Some will have traditional black headstock veneers and some will have matching maple figured woods. Here's a ten year old thread that shows my old natural Roy Clark. I found one a few days ago that I managed to close a deal on. It's among the last ones made AFAIK. I'm a fan of the chestnut burst and the block inlays like on the H-157. I believe it has Seth Lovers, but I'll know eventually. This is basically a hybrid of a H-530 and a H-555. Here's him funking around showing off his skills. Anyway, here's the incoming porn.

Thanks for the reminder on Wolfe, that's a good idea. As stated, I did contact Heritage directly and, no dice. Thanks for the suggestion!