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The Marv Wineburst that Kuz was kind enough to send on to me... And for you blasphemers, here it is with a proper pickguard...

Back in the club. I had to sell my H-150 Vintage Wine Burst about 6 months ago and immediately regretted it. I recently found another Vintage Wine Burst, this time a 2009 H150 and I am happy again. It needed some TLC as a number of things were not working, switch, pots and the pickups had been swapped out. I completely stripped the guitar and used Virtuoso cleaner and polish to buff out a fair amount of scratches. I had a pair of Seymour Duncan double creams and thought it would be a nice contrast to the darker burst and they seem to match the binding well. I added aged Faber hardware to allow the pickups and reflector knobs to pop. I also removed the pickguard to show off the top, because why should that top be hiding behind a boring piece of plastic. The guitar weighs an impressive 8.4 pounds and has a nice authentic and woody tone. Out of curiosity, does anyone know why the burst is so wide on these? My previous VWB from 2017 was more of a typical burst around the edges only. This one seems to graduate almost to the center of the guitar.

Oh Jenny Jenny!

It doesn't matter if they offered it. They would get changed anyway. I have realized that it doesn't matter what the factory uses. If they use SD, they get swapped for Dimarzios. If they use Dimarzio, they get swapped for Lollars, IF an amp company uses JJs, they get swapped for TungSols. If it came with TungSols, then it really needs TADs. If it has a Jensen speaker, it really should have a Celestion. If it has a Celestion, it gets swapped for an Eminence or Warehouse. Heck if it has GHS strings, it really should have D'Addarios or Ernie Balls. Mojotone makes the P90 that Josh had them put in the HOC 137. They sounded pretty darn good. It's a pain in the butt to change pickups in a semi or hollow body, but it can be done with a bit of patience.