Surprised that he was so in love with the neck. But, perhaps that's my "backward looking" opinion, from when the neck carve you got depended entirely upon who did it. Which, actually, was kind of fun, it it's own way. Like that he points out that Heritage, operating out of the K'zoo plant actually has a longer, well, heritage building LPs than Gibson does. Except, for me, that kind of fell off when the OG owners stepped out. Not a knock on Pete Farmer, but he wasn't there when the original 50s LPs were being built, like, you know, the OG owners were. The line has been broken, in my mind.