Jump to content
Heritage Owners Club

Leaderboard

Popular Content

Showing content with the highest reputation on 03/23/25 in all areas

  1. the best part was this old English Bulldog snoring away on the tattered old couch while folks came in and out and played guitars. People were talking so you can barely hear him snoring due to the chatter in the room (if you listen closely at the end), but trust me- it was classic.
    2 points
  2. seems like a nice product for the money for sure, and yes- SOP now. makes me a little sad, but gotta remember: "Its not personal Sonny, its strictly business." I was in London recently and I always go down to Denmark Street and Soho when there to check out the old historic (and new) guitar shops and studios. Dawsons had both US and Ch. made Heritages. They told me that they are owned by the same company that owns Heritage Kalamazoo, so they are the London distributor for both factories. The Chinese ones were downstairs in the main showroom. The good stuff was upstairs in the “private” room that was roped off. Some very nice new production instruments from both places.
    2 points
  3. Hello Heritage! I am new to this forum-I just bought my first Heritage Custom Core H 535 Blonde! It is different than any other guitar I have played. I’m used to Gibsons, Fender, arch tops etc, but this feels/sounds so different. I love the QUALITY of the build. The neck is comfortable, pickups sound great. Very versetile. Playing Jazz, Blues, Bossa Nova and Swing on it right now. I love it! It has lots of flame in the wood-front, back and sides. The tuners work really well. I’m using Thomastic Strings, flatwound 11’s.
    1 point
  4. C J Stanley band. He owns a bunch of them. https://youtu.be/oahyiijnjwQ?si=H2MRO7llLOYSSNl9
    1 point
  5. uggh. I guess everything got nuked back when the server funk went down... I blame the frog
    1 point
  6. Paranoia strikes deep.
    1 point
  7. what it is ain't exactly clear
    1 point
  8. there's something happening here
    1 point
  9. The wattage on a speaker is an indication of how much power you can put through the voice coil without it heating up to the point that burns out. The suspension, cone material, available voice coil travel will determine if it breaks up, and sensitivity will tell you how loud the speaker will be at a reasonable power level. The speaker will distort if you exceed the rating, especially if you try to exceed the cone travel. If you play highly distorted, then you should have a higher power speaker capacity since those distorted squared off waves are actually higher in power than a sine wave of equivalent amplitude. Something like the Celestion Peacekeeper handles 50W but only puts out 86dB for 1 watt of power. A Vintage 30 will handle 60W and puts out 100dB for that same single watt. Also, it depends on where you set the amp. A Twin can put out a lot of power, but if you only turn up to 2, you might only be putting out 3 or 5 watts.
    1 point
  10. Eh, lots of variables and generalizations in play... but in a nutshell; if the amp wattage is higher than what the power/watt handling of a speaker is, it's going to lead to 1 of 2 likely outcomes - 1) the speaker will easily distort... which in some scenarios could be a desirable effect and compliment the amp distortion (especially when paired with another higher power/sensitivity speaker); in other scenarios, it could just sound muddy, "farty", or bad. 2) The speaker could just fail...blow the cone out or toast the voice coil. In the reverse role; if the speaker watt/power handling is way higher than the amp output... usually this will make very little difference. It depends more on the design and sensitivity of the speaker at this point. For example, I love to pair the 300 watt EVM-12L with all sorts of amps, including little 5 watters; fairly transparent speaker pairing that let's more of the amps own voicing be heard (minimal speaker distortion/coloration). Usually the only negative scenario is where it's a speaker with a very heavy cone and low sensitivity; that could be a speaker that needs a whole lot of power to make it move in order to sound good. There's not many guitar oriented speakers out there that fall into this grouping though. It's more in the extreme cork sniffers high end of car or home audio (or cheap garbage speakers from temu or something). TLDR - Low power amp with high power speaker; okay. High power amp with low power speaker; may cause death of speaker, or could get you that cinnamon girl sound you've been searching for all your life (if one was to ever search for such a sound).
    1 point
  11. FWIW, just saying that something is made in China doesn't necessarily mean it's a piece of crap. There are things made in the US that are crap, and stuff that is high quality. The same happens over there. I used to deal with a few Chinese plants and a few were consistent, and more than willing to go the extra mile to make a quality product. Others couldn't make the same thing twice if their lives depended on it. China is a massive country with lots of different companies. Anyone over a certain age will remember when Made In Japan was the sign of cheapness. Now the majority of things out of Japan are world class.
    1 point
  12. Not for CJ. He is known to own at least 1/3 of the Marvbird's made. I talk to him every once in a while. He is an interesting guy with a lot of stories. Met a lot and played in front of legends. That's his son on the right playing the red one.
    1 point
×
×
  • Create New...