Leaderboard

They made 40 of these.

Hello! I picked up an early piece of Heritage history this week. It is a 1985 H-140 finished in May. I’ve never owned one so early. It has suffered a headstock break and repair, but it was done properly and feels like glass running my hand over it. It came with black plastics and cheap generic Chinese humbuckers. I put a set of Gibson Burstbucker 1 and 2 I had laying around in and it sounds so much better. The only downside is that I had to over pay a bit for it. The seller was tough but the fact that it was built so early on plus it plays so well and has a stunningly gorgeous top means I had to get it. Enjoy the pictures!

I have no doubt that the build qualify is top notch, my beef is only with the cosmetics. My 575 and my Florentine Golden Eagle were (to my eyes) GORGEOUS. Again, my only beef with the H 717 is the cosmetics. I am sure it is an amazing built and exceptional sounding guitar. To me, this is what a classy jazz box should look like.....

Nice Tele Kitty! I've never tried the BG1400 with a P90 because I record alot around computer monitors so I like noiseless Teles, but I bet that combo sounds great! My main Tele, which I built, has a Tyson Tone Lab Precious and Grace humbucker in the neck, and the BG`1400 in the bridge. The body is an Allen Eden Body made from Paulownia wood, and it's light as a feather. It's the best Tele that I've ever owned and one the best Teles I've ever heard. It's the one that really got me into the BG1400...

Hi, I play autumn leaves with Heritage's archtop guitar. If you have time, please listen to it. Thank you.

hahaha!

For the record, Heritage ships their archtops with 12s on them. I, personally, would be a little concerned putting that much tension on the top with 14s. Vince Lewis, a jazz master and Heritage endorser, uses 11s and 10s on his Sweet 16s.

The headstock repair looks to be a pretty solid and clean job, too! Nice score!

Apparently that was me… but it wasn’t I who disagreed with you, it was my big dumb clumsy scrolling thumb that took the low road there. My apologies; was not intentional. This has been rectified and replaced with a much more appropriate up vote; my fingers will be punished to the fullest extent of whatever my imagination can come up with for a witty and clever finger specific punishments. My thumbs laugh in the face of truth and physics.

I know he was involved in the H-157 staple single coil model. I think they made a few dozen.

I own its twin. It sounds as great as I could want.

Nice!

Agreed with both posts bolero. Fuggem if they can’t handle the truth. Who argues with physics?

I have first hand experience with the prototype several times and talked with the designer each time. It is my belief that this guitar is a superb acoustic jazz box. Imagine a 1920s L-5 with more attention to bracing and plate carving and with also primo wood. I owned a 1920s L-5 in my teen years and practiced on it like a maniac. The guitar was heavier. The 717 is significantly lighter. The 717 involved a lot of thought and went through the highest levels in the Heritage organization, including the CEO from Asia, who is a master jazz player. This was a long term project. Even the pickups went through several iterations to get it right. The build quality of the one I saw is flawless. The woods are superb in appearance. You can hear how clear and full the notes are. There are a couple of cosmetic things I'd want, but I would never use such a guitar. To me, it's delicate and expensive. I have a Golden Eagle and a H-575 that work just fine. But there are those who deserve the caliber of such an acoustic archtop. I hope this serves them well.

well what is sound & volume? air pressure more speakers = more air pressure I'm not sure who downvoted my post, lol, but I thought it was informative. I apologise if I offended somebodies sensitivities.

why do 4x12 cabs sound louder than what? a 1x12? seriously? more speaker surface area also improves bass response. That's why bass cabs can use a bunch of 10" or 8" ( or even smaller ) speakers. smaller speaker cones are also faster, so a big 15" speaker may have more bass than a 10", but is slower & less responsive. usually. Throw a bunch of 10" speakers in & they're faster, and have the same low end as a 15" speaker cabinet design is a whole other can of worms: ported, not ported, direct radiator, passive radiator, horn loaded, diimensions & size, shape etc all factor in