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Eyeeee Laddie…. ON THE BENCH…..1998 Heritage H170 in Emerald Green!!! Rare color. The owner wants… New pickups New bridge New tailpiece Fret polish Fretboard conditioning Cleaning and detailing Poker chip added New pickup rings New strings and full setup Should be a fun Saturday project.

ALL DONE!!! Playing and sounding great!!!

Factory 2nd also. Looks like a U or a V to me.

"Sorry, can't talk. I'm late for church!!!"

Here's an H-140 25th Anniversary that was sold on Reverb a while back. https://reverb.com/item/91740095-heritage-h-140-cm-25th-anniversary-with-case-in-excellent-condition

Killer! All class that one is!

This was delivered a couple of weeks ago, but I've been too busy playing it to take a pic!

I can only speak about the one I bought. It might be an outlier. This is the Sweetwater pic before I bought it. My biggest complaint are the frets. they are wide and too short. I had it refretted with Jumbo SS.

I think those PRS wide fat necks are perfectly fine

Thank you DetroitBlues for the additional photos from the seller and Skydog53 for reaching out to Marv. It is a unique instrument, but I'll continue on my fourteen year search for the elusive H-140 25th Anniversary. I just missed one and have been feeling very emotional lately. Thanks again everyone.

Installed a set of vintage Gibson pickups in my 2017 Heritage H535 Custom this morning. In the bridge…a 1981 Gibson Shaw PAF 7.30. In the neck…an early 70s Gibson T-top PAF 7.15. I gotta say, I like the tone of these pickups in this guitar A LOT better than the last guitar I had them in. (IYV hollow body). I have tried a few different styles of pickups in this H535. It originally came with Duncan Seth’s, which sounded great. Then I had a set of 70s DiMarzios in it and those were great too…but definitely a different flavor. And now the ol’ Gibsons. So far, I’d have to say, the gibsons are more balanced and versatile of the 3 sets!

I do it occasionally. Lol i actually have 3 guitars in queue to be worked on now.

Customer!? Now you’re in the business of doing Guitar work for people for compensation? Interesting.!!!

I missed the 2 above the serial #. Good catch.

If Marv doesn't know anything about it, then did he NOT get one of the 4 guitars? You would think he would know if 4 were made and he got one. I guess it's down to Pete, Ren, Bill or Jim to unravel the mystery.

Pull the control cover and check there. It should be written there. The numbers are 00402. It's hard to tell if the letter is a Q or not. There was a point where their stamp was getting pretty well worn. It made some of the serial number unreadable. For a bit, they wrote them out by hand, then they got a new stamp. They had to do that when they got to AA serials anyway.

Thank you for the kind words Todd!!!

Nice! I think i like the look of the back better than the top.

I don't know if this previously was posted. https://www.youtube.com/watch?v=XXCAKNkDvL0 At 3:00 exactly you'll see Ren Wall's dad with a guitar. This is Rem Wall, a local country legend with a great voice.

Love me some green guitars!

Very nice! I question the description of the neck. It appears to be a three piece consisting of Korina and Maple. When I was at a PSP and picked out a neck blank, I chose a three piece Korina / maple they had lying around. Could be an employee build which IMO is better than a production with choice of wood and attention to detail. So there is that.

Yeah I got my Mk I in the wave of the first 25. Funny story… earlier that year I won an auction on eBay for 4 Greenbacks and asked if I could meet the guy in Saginaw. He sent me George’s address and told me to meet him there. That was Danny Ardouin and he introduced me to George and they sold me an amp by having me play his prototype and 12380. I made an order shortly thereafter and got #22. This was when it only had the 68 and modded 68 modes. He later did the 66 mode and offered free upgrades to anyone who wanted to send theirs in. So I drove back up and he happily ripped my amp apart to get it up to date lol. Last time I saw George in person was before my son was born in 2018. Took my amp up just to have it looked over and checked out and say hello. He gave it a clean bill of health but while he had it on the bench he let me try the clipping diode he was using for the DVL-1s. Offered to put it in too. We A/B’ed that a couple times against the stock and I stayed with the stock because I liked it better. More classic plexi chime in that one. I could have had a DVL-0.5 hahaha. George is a salt of the earth human being and I’m bummed his business went this way but I hope he’ll be back in some capacity. Why a company like Boutique Amp Design or someone else hasn’t offered to buy and produce his designs and have him on as a consultant is beyond me. Yeah, I know folks will say Dave Friedman’s stuff is already in their portfolio and I get that… but Dave’s stuff sounds like a recording of a perfected modded Marshall. George’s amps sound and feel like real 60s Marshalls. George’s amps capture the raspiness and raw edginess of the old Plexis.

https://youtube.com/watch?v=9I8x1qvgtG4&si=dZJp39wWA_JoK1qC Happy Holidays to all!