Leaderboard

There's an album -- they play Hank Williams tunes...

I see these in a different light. The guitar seems decent by this review. The price point is attractive to the begining and intermediate player due to the price. Those who can pay more and want "better", there are other places to go. I don't own anything in this series but have played a couple. I also recall one of my favorite rock players, Randy California of Spirit, played a Sears Silvertone in his early recording and performing days to great reviews. I have modded my H-150/157s over the years in some cases. The didn't "need" mods, but some fret work and slot cutting helped. If I were back in 6th grade, there's no way I could afford a new American built H-150 or H-535 from my paper route. If the Ascent+ was available, that may be within reach. I have an emotional bias though. I grew up in Kalamazoo. I'd take the temperature of the community since they are my audience. I don't think there would be resentment if I got the Asian version, especially as a kid. I can tell you that in Kalamazoo years ago, a lot of guys played Fenders and Gretsches. They never got any pushback for disloyalty. Rather, my friends liked trying them out. Quite a few were loyal Fender players. Some worked for Gibson. Brand loyalty has advantages. And if QC is solid, one advantage is you pretty much know what you're going to get before you open the case. If the Ascent series does have the quality and tight specs, those are strong positives. I don't own one, but I'm not allergic to them! A major reason I had a good early experience, 6th-10th grade, was a glut of Gibsons in my city. I got a Firebird V with a Kalamazoo amp from a neighbor for 6 weeks of paper route money. If I were not in Kalamazoo at the time, I'd probably would have had to go Asian! Let me mention that the Ascent line is still owned and managed by the Heritage company owners. If they can produce very good guitars with a significantly lower price in Asia, they likely have to strongly consider doing that for their investors. It is likely mandated. But it's our choice as to what we buy, and we buy for different reasons. My choice has been to buy locally. That's easy when the product is good and it supports your neighbors. If I were 13 again and had to earn the money for a guitar, amp and lessons, and a used Gibson or Heritage would cost more than a new Ascent, the lofty ideals of "buying American" may not be reachable. Lastly, the Ascent series idea came from somewhere. It may be what allowed the new Heritage owners the ability to maintain the original Kalamazoo site for the Heritage models. IDK. Recall that whatever the original Heritage factory owners were doing was not survivable, leading to its sale. Projecting from my youth when I'd stare at the Gibson catalogs, quite a few kids who get an Ascent will move up into a Heritage or Gibson or Fender or PRS. From what I see, the Ascent seems like it could work as an entry point for a kid into a lifetime of guitar.

My dad, a failed guitar player, had a cheap Kent acoustic guitar that I learned my first few chords on, eventually the neck popped off of it from me tuning higher than it should have been Well then for christmas that year, my mom told my dad to buy me a guitar and amp. I got a Teisco Checkmate guitar with a matching little amplifier (in a plastic case). That was equally as bad as the Kent acoustic. The action on that guitar was so high I risked damage to my fingers everytime I tried to play a chord on it. After that, I took matters into my own hands. I saved up all the money that I could from my caddy job at the local golf course, and bought my first real guitar, a 1959 Fender Musicmaster in Desert Sand, and a Danelectro Cadet amp. I was off and running from there. But even in the early 70's, that little guitar and amp cost me $400. For nostalgia's sake, a few years back, I bought a 1960 Musicmaster that is pretty much identical to my old '59, and the same DanElectro Cadet amp just to see if I could make music with it, and here's a song I recorded with it. The Danelectro amp is a toy, but the Musicmaster is really a great sounding guitar, here it is through a proper amp, my Victoria Regal II...

I had a Kent when I was a kid. They sucked.

A while ago, I started a band devoted to paying homage to the British Blues phenomenon, a movement that, quite simply, gave the world Rock(!) as we know it. It started with Eric Clapton essentially inventing "the Rock" sound in APril 1966 by plugging a Les Paul into a cranked Marshall and proceeding to let loose playing long, articulate, screaming and and soulful lead guitar, something that had never been done before, not to that extent and which spawned a myriad of bands that we all know and love in the process. For the record, this band's not a "tribute" as it's generally intended, I have absolutely zero desire to mimic someone else and/or reproduce someone else's solos note-for-note, no matter how famous, great, cool and historically important the player is; in truth ("Truth", great album!!!) I have been offered the position in 3 or 4 of such outfit and even though the players in question were among my main influences, I love 'em dearly, I graciously declined, it just goes against what I believe, which is to pay respetful homage to such cats by capturing the spirit, not the notes. By doing that you take your chances, of course, but that's excatly what those guys did in the first place, right?. Anyway, the band has played a handful of gigs in the Lndon area and next month we'll have the official launch in a specialised, highly respected top London club and this, my Heritage H150 will be the guitar I'll be using. A wonderful Custom Shop Les Paul Custom, which I love, will be there too but only as a spare in case I break a string or something, which very rarely happens! Yesterday we had a reharsal, just to finalise the set while next week a dress rehearsal is in the cards, but let me tell you that this guitar plugged straight into a valve 1/2 stack with just a Tube Screamer in between (an Ibanez TS808 DX, to be precise) didn't even sound close to perfection...it was actually perfect!!! The sound, the feel, oh my God, I hadn't played this guitar for few months and I was actually contemplating getting a XXX McCarty 594, an amazing guitar for sure, but once you have an Heritage H150 set up to perfection, and on this one I also replaced the original pups with a set of OX4 "Beano" pups (yeah, Beano, I know....!) frankly if you want a righteous Les Paul tone you don't need anything else. And my wife agrees.... For the record, according to the serial number this guitar was made on Nov. 13th 2000. I was also born in November, good month indeed...

That was great! I'm a huge Roy Clark fan, but I really LOVED Joe Pass's rhythm comping.

What you’re describing is the difference between: interpretation — making the music yours imitation — recreating someone else’s choices Tribute bands live in the second category. They’re about fidelity to a recording, not fidelity to the musical idea. That’s why they obsess over note‑for‑note solos, exact tones, exact phrasing, exact stage moves. It’s a reenactment. But in classical music, nobody treats the first performance of a Mozart symphony or a Beethoven concerto as the “correct” version. They treat the score as the real object — the blueprint — and every orchestra and conductor is expected to bring their own interpretation to it.