rwinking

Get it! As it is already dinged up, you will not have to baby it.

I have alway hated pedals on the floor as if I need to do a tweak I have to bend over. The great thing about the Helix rack is it is in my rack with a great foot controller on the floor to turn everything on and off. I just turn aroun and tweak whatever I need to tweak With the Quad Cortex I now use a midi foot controller to turn amps or FX on or off and keep the unit at waist level so that I can tweak without bending over for long periods of time until I get the right sound. The QC is pretty cool with it's touch screen. I touch an effect, say my reverb, and then the parameters show on the screen. I then turn a knob and all done, I always thought this video was pretty cool. It is not about modeled amps but modeled FX where he recreates his dad's analog pedals/ https://www.youtube.com/watch?v=hjLngpQipEQ&t=3s&loop=0

I started using modelers when I could make them just as loud as my tube amps and annoy everyone else in the band. RIght now I use both. I have a Quad Cortex, a helix rack and also a Helix HX Stomp XL. I use a line 6 monitor and can get it to sound like a real amp. When touring, I would use my Helix rack for FX along with a tube amp. The great thing is that if the amp goes down, I have the Helix amp models to use. On smaller gigs I use a tube amp with the Stomp XL for FX and again as a back up. so: 1) Portable.....yep the modelers fit in really small little cases 2) Reliability......I have had the Line 6 stuff for over 10 years without any problems and do not see them as disposable at all. I think some of the Boss Katana kind of stuff can be seen that way, but the high end stuff is not. 3) price is no comparison as you comapre one amp with the shitload of amps that you get in the Line 6, QC or Fractal, etc. stuff. So I have Orange, Fender, Marshall , Dumble, Hi-Watt, Dr. Z, etc. all in one box that costs a lot less than a boutique amp with the QC and better Helix stuff around $1600-1800. It has been nice to switch from a deluxe or Princeton to a big ass Marshall sound mid song. 4) Flexibility....Yeah, the right tube amp and pedals is pretty cool. But with the better modelers, you have a zillion amps and pedals all built in. I don't think my old ears can tell the difference between an original Klon or Tube Screamer and a modeled one. The Lexicon reverbs are steller and all digital and have been the studio go to for years. I believe that Eric Johnson can tell the differences in this stuff but not me. 5) Sound great for sure. There is something magical about my tube amps but now there is something equally magical about modelers in a different way. The line 6 powercab+ is pretty cooland has all sorts of flexibility. I use mine for acoustic gigs as well as electric. The QC has models of famous mic preamps and lately I have been playing gigs 50/50 acoustic/electric. I can get a killer acoustic soundusing the acoustic speaker model and thne swithc to a Deluxe model witha Creamback all in the same box. I will never give up my tubes but I am becoming more and more satisified with the modeled stuff.

Wow, Mark! That is pretty! Did Aaron Cowles also do the Heritage mandolins back in the day?

Especially for a 38 year old guitar?

Hey, Thanks! I just discovered a 12 string capo I have not tried yet (the Paige Clik). Maybe all is not lost!

Had it measured and it is a 12. However, the Thalia with a 12" fret pad still doesn't work. I found my G7 12 string capo and it doesn't work so I give up on it. I tried Kysers, Shubb's, pretty much every capo you can imagine. As I said earlier, some guitars just hate capos and I have two of them.

Any info on the pickup? I have never played my reso live and not sure I will. However, it is always cool to be prepared. And I have never been opposed to new gear.

That makes sense. I have several Thalias and really like them. Sometimes you get a guitar (and especially 12 strings...) that just don't like capos. I have an Ibanez law suit 12 string that is incredible. I have tried every capo available and it just doesn't like capos. It is possible that my Prospect 12 is like that. As I am doing an album for someone and have needed an electric 12 string in an odd key I needed to capo it. I also own a jackson Surfcaster 12 and I forgot how cool it is. I can put any capo on it and it is completely in tune with no muted notes, Plus it looks cool as shit! I was just hoping to use the Prospect 12, but another day perhaps.

And what is heritage's usual radius?

Different from what?

Cool! Iowa City is just right down the road from me in Montana!

The Thalia people seem to think that most 12 strings have a 16" radius. True for Heritage or not?

I have one of the rare Heritage Prospect 12 strings (eat your hearts out!) I am wondering if ayone might know the fretboard radius. I have a Thalia 12 string fret pad on the capo but the E and A string are a little muted. I might be able to use a different radius fret pad but not sure what it would be. Did Heritage use the same radius on all of the guitars as a rule?

I think there is a 2023 H-530 here in our classifieds. If I needed one I would be all over that one!

I am kind of bummed with the bigger logo. I have to admitmy CC is cool but that logo is kind of like "I feel a little insecure about being the Heritage so.... HERITAGE!!!!!"

How old is this guy? Does he have any major health issues?

When I first joined this forum I remember a lot of guitars for sale. Pretty much every Heritage I ever coveted would come up on this site. Even obscure ones like my Leon Rhodes.H 576, or the Stats or H-162s seemed to show up here. Lately I have not seen much except some of the newer H-150s, 535s or 575s. Are people hanging on to the older 150s and such? is it my imagination? I do remember little Leroy selling a Marv bird a few months back but that is somewhat of an anomaly.

Thx! I'll check them out!

I finished up a session for some young guy yesterday. He is doing some video on his YouTube channel and it was a country/rock kind of thing. I used my old tele (that I painstakingly did a relic job on over a period of 54 years)for a couple of rhythm tracks. Today after reading all of this stuff about the H-137 I pulled mine out and I thought "Why the hell did I use a tele on the session?" Truth is I wanted it to sound "authentic." The H-137 would have fit in there much better....it has a tele kind of twang from the P90s but it has a little more depth and snarl. Next tele session I will use the H-137. I just have in my mind C&W = Tele and Roots rock/old R&B = H-137. Starting today, the 137 is staying out where I can see it and be reminded of it's versatility.

So they sound like P90s and they are quiet? Meaning quiet as a humbucker? I love my 137 but the Lollars are noisy. I may have to try the Mojotones.

Does anyone know anything about the 225 classics? What are they modeled after? Maybe they are like the HRWs?

Does Heritage sell the 225 classic humbuckers and how much are they?

An HX Stomp or HX FX or Plethora X5 can be had for the price of a good pedal. I have had my Helix go down and I was up and running in a few minutes. Someone mentioned something about needing a cumputer to program things. I think I might be faster on the Line 6 than hooking it up to a computer these days. Same with the Quad Cortex. Once you understond one of these units the others are similar enough to figure out with very little trouble. Kind of like Cubase or Protools. It may take a little time at first but once you understand some basic stuff it's a lot easier. And I am not some young digital punk. I am an old analog guy who grew up with analog FX and analog studios. I do combine digital and analog. I use protools but use mostly analog preamps, compressers, etc. And many of them have tubes. I have one all Digital rig but 90% of the time I use tube amps with digital FX. And Daniel. I love those Mission Engineering Xpression pedals a lot!

I have also enjoyed Pete Thorn's compresser. There are a lot of cool verbs on that Plethora X5. It's nice that you can set it up to run stuff via 4CM. I use those pedalsnakes for that so I only have one cable running at a gig.