rockabilly69

Man, that Eagle that Rich plays the song on at the end of the video sounded unreal. Makes me want to learn a song in that style. It has just the right balance of string to wood in the tone WOW!

In watching that video I couldn't help but notice how clean the shop looks, and the paint booth looks great.

What I know about Jazz guitar playing could fit on the head of a needle, but I love watching those Rich Severson videos. He does great demos, and gets some great tones out of those jazz boxes!

That is really a cool pic of him holding one of his creations!

I've always found this to be true. It's worth it to spend a few bucks to see what your guitar likes. Recently I went through that with my Martin HD28, and I didn't like 13's. so I knocked it back to 12.5s and found a happy medium between tone and playability. But I can without a doubt that when it's time to record I won't use any coated strings.

I've always found this to be true. It's worth it to spend a few bucks to see what your guitar likes. Recently I went through that with my Martin HD28, and I didn't like 13's. so I knocked it back to 12.5s and found a happy medium between tone and playability. But I can without a doubt that when it's time to record I won't use any coated strings.

I've always found this to be true. It's worth it to spend a few bucks to see what your guitar likes. Recently I went through that with my Martin HD28, and I didn't like 13's. so I knocked it back to 12.5s and found a happy medium between tone and playability. But I can without a doubt that when it's time to record I won't use any coated strings.

I've always found this to be true. It's worth it to spend a few bucks to see what your guitar likes. Recently I went through that with my Martin HD28, and I didn't like 13's. so I knocked it back to 12.5s and found a happy medium,

Pickguard ON! Always! It protects the wood from crazy picking, and helps me anchor my hand for fingerpicking!

After playing our first few gigs with 50 watters (Marshall Plexi and Mesa Fillmore 50) Ryan, the other guitarist, and I went down to 22 watters (Deluxe Reverb and TopHat Club Deluxe). Our stage sound is much better. It feels like it does in our rehersal room. It also made it easier for me to get a good acoustic sound on the few songs I'm playing acoustic or resonator. And people in the audience LOVED the sound. And bonus, the vocals came through even louder with less work for the soundman. Tube amps forever, screw modelers!

And never once have you regretted it! I'm with you all the way! The best and most simplest option. I think Heritage should just ship there guitars with FABER hardware.

My friend Troy has that '52/54' set in his '56 Goldtop reissue. He went through the stock pickups, Lollars, Tyson Tone Labs, and then the Throbaks. He LOVES them, and that is his number one gigging guitar along with his ES330 reissue. He plays that guitar straight into a 1959 5E3 and his sound is perfect for his blues band. He has some great sounding humbucker reisses (two particularly sounding good sounding R9s), and a 1964 SG Jr, but he favors that Goldtop with the Throbaks the most. When he was going through those sets though, I LOVED the Tyson Tone Labs, but he said they were a bit too high in output for him. In my R4 and my Special I like the stock Gibson pickups, they just sound too good for me to replace them. I wish I could use P90s more, but they just make too much noise for when I'm recording by a monitor.

great looking guitar!

I think the Duncan Stack pickups are probably closest to the Area T DiMarzios

Did you try Throbaks in the Collings???