TalismanRich

Thinking about the pickups, if the guitars were late 60s or early 70s, they probably had Gibson T-Tops. Guys like Seymour Duncan and Larry Dimarzio didn't really start making after market pups until around 72 or 73. As to how they were made, according to this article, they would be Alnico 5 with polyurethane coated wire ~7.5 ohms. That's pretty much the SD-59 recipe, isn't it. https://musicalilluminism.wordpress.com/2009/04/28/vintage-gibson-humbucker-specs-and-general-pickup-tech/

Something else to remember is that Pat will quite often fingerpick his electrics. That's going to give a different sound that using a pick. Here's a shot of Tom Johnston playing an ES-150 on Midnight Special.

Usually Pat Simmons is playing an acoustic and Tom Johnstons's primary guitars have been PRS for many years. Back in the mid 70s, Pat would often play a sunburst ES345 but the Varitone was disconnected. He also had a natural finish ES345 with gold hardware in 74. He had a red ES335 that he sometimes tuned to DADDAD. As to what he played on any particular record, it's hard to say. Tom Johnston had a couple of Les Pauls, a black Custom w/ a Bigsby and a gold top w/P90s. I've seen some videos with him playing an SG. He also played a 335 on occasion in the early days of the Doobies. For South City Midnight Lady, Pat was probably playing his Ovation acoustic. Skunk Baxter was playing steel guitar. Don't know what Tom was playing, but I read that Pat did solos on his 335. From the concert photos I've seen, they mostly had Fender amps.

Mine should arrive around Tuesday. I have a Drs appt to check on my cataract surgery (which went fine - it's SO nice to be able to see) on Tuesday at 12:45. I might have them hold it for pickup. The FedEx office isn't far from me.

These are the Lollars, not the 225s. I have Lollars in my H-525 and they do great in there.

Definitely NON artisan aged. I like my guitars shiny. 😁

While at PSP, I was checking out a few guitars, but since I had to get over to the VFW, and had little room in the car there was no time to sit down with Mike and discuss things. So yesterday, I gave him a call and now there will be a new addition to the family.....

This is a fairly small club. There are mics on the amps, but that's only for the video feed that they use for Facebook. It also appears that the Katana is the house amp along with the bass amp and drum kit. Some acts bring their own amps, but I was looking over a few videos of other groups and they all have the same bass and guitar amps.

A friend's band was playing a local club a few months back and I noticed that the harmonica amp was crapping out during the last half of the show. Last night, I saw he had replaced the old Fender with a new tweed Blues Jr. The guitar player also changed amps, going from an old Fender Deluxe to a Boss amp.

That's funny, micing the floor to hear your tapping. I once read an interview with Paul McCartney, and he said there's one thing EVERYONE does wrong when they play Blackbird. He said that nobody ever taps their foot, and that was something he did on purpose! Nice pickin', Daniel.

Mark, good to hear from you again. Glad to hear you're enjoying your time. I missed reading your tales (sometimes good, sometimes tales of woe). Should there come a day that you get the bug, you'll surely find some like-minded mates to scratch the itch. Don't stay away so long next time.

Lordy Mark, Do you have a black cloud floating somewhere over your head? I remember what it was like when my leg was in a cast for 6 weeks. UGH! Hope you heal up quickly!

Wow, you were looking to replace a guitar player, and you end up with a rotation of drummers! That stinks that your man had to bow out because of arthritis. This aging stuff just sneaks up and bites us when we're just having fun. Hopefully the days of drama and drunken spouses are far behind you. Perhaps you can grace us with some videos of the new band.

I can't think of a more eloquent way of putting the HOC and PSP in perspective. Yes, this is a hobby for most of us, but the friendships are what make it all worthwhile. Well said!

You mention the neck/body junction, but I don't see a photo of that joint. Perhaps I am not understanding the nature of the problem. Is the problem only with the binding, or is there a more structural issue with the neck joint? While I personally would not have an issue with the offcenter dots, it clearly is a fault. Your best recourse is to deal with the seller. If he is an authorized dealer, he should act as the bridge between you and the factory. Having modified the guitar with the Bigsby may present a problem. Changing the binding on the neck would be one way to remedy the situation, and I fear that it could result in more visible flaws. The dots are knocked in by hand, so the dot could be drilled out by hand, filled and redrilled for the new dot.