bluesky Posted April 16, 2012 Posted April 16, 2012 Hi, I am planning on re-stringing my old Sweet 16 and want to go w/ 11-52's on it. Can anyone chime in on the benefits of going w/ a wound or unwound G string ?? Kind of a newbie to Jazz. I was told by heritage that they use GHS round wounds. Thanks !!
byrdland Posted April 16, 2012 Posted April 16, 2012 Hi. I have a Sweet 16 with Gibson L-5 strings in 12 gauge. They are round wound. I also use L-5 10 gauge strings on a Byrdland. The 10 gauge set has an 18 gauge wound G. I replace it with an unwound 17 gauge. You might find an unwound G that will match up with an 11 gauge set. You might not. I believe I've seen some 10 1/2 gauge sets with an unwound G. Personally, I wouldn't put an unwound G on the Sweet 16. It works on the Byrdland, but I use that guitar for all sorts of music. I wouldn't use the Sweet 16 for overdriven stuff. I'm not really concerned with bending the G string that much on the Sweet 16. I've considered putting 11's on the Sweet 16 but the 12's sound so good, I haven't made the change. If you could find an unwound 18 gauge G string, it might match up well enough to fit the 11 Gauge set, if that's what you really want.
Ned Posted April 16, 2012 Posted April 16, 2012 Welcome to the forum. I'll be the first to suggest that you attach a picture to your next post - we seem to be a visual lot. You can find my guitar in the gallery. I am running 12s with a wound G. My understanding is the wound string intonates better on the bridge. I have not tried unwound but I will say that intonation is excellent according to my strobe application. As for the GHS strings, I will be interested if your experience matches mine - I used them for a while but had inconsistent volume with my floating PU. (note, mine is a 1991 Sweet 16 and so I am using an older generation PU). I switched to DR strings and all is even. I would still class this a coincidence rather than causality and I am too lazy to do a proper a/b experiment. Please report back what you learn about this and intonation. Post often!
bluesky Posted April 16, 2012 Author Posted April 16, 2012 Thanks guys. Ned what model DR's and what are the gauges in the 12- ?? set !! Jeff
Ned Posted April 16, 2012 Posted April 16, 2012 I'll double check when I get home, but I am pretty sure it is these: http://www.juststrings.com/drs-phr-12.html They seem to last a good while too.
iim7v7im7 Posted April 16, 2012 Posted April 16, 2012 I would see which gives you better intonation. My Sweet 16 has a non-compensated bridge so it is always a bit out. I prefer a wound G. It also seems to be a bit closer to being intonated properly, I play Thomastik-Infeld Bebop and Jazz Swing .013s. Dont let the gage scare you. They have very low tension for their gage. Good Luck, Bob
byrdland Posted April 17, 2012 Posted April 17, 2012 As far as DR strings. I do have DR's on an acoustic guitar, and two basses. They are excellent strings that last a long time. I just haven't tried any on my archtops.
DetroitBlues Posted April 17, 2012 Posted April 17, 2012 I guess when it comes to the strings, are you bending them or just picking/strumming them? I would think an unwound would be better for bends, or should I say easier. Being a blues/rock guy, I tend to get a little crazy with my G string... wait a sec, that didn't sound right.... I mean the G string on my guitars.
BrianToth Posted April 18, 2012 Posted April 18, 2012 I use D'Addario flatwounds 11s with a wound G on my Sweet 16. The bending isn't terribly bad, although I usually use my Prospect for music that requires a lot of bending. I have used an unwound G and don't like it at all. I did play the Sweet 16 once through a Matchless amp that was set up with a bit of dirt and it sounded fine. However as a disclaimer I need to mention that I have a tune-o-matic bridge on it, a Fralin P-92 for a pickup and the guitar is 1/2" thinner than standard.
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