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Why Florentine cutaways cost so much more


MartyGrass

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Posted

To put a Florentine (sharp) cutaway on a Golden Eagle is a $600 upcharge. I recently learned why.

 

Venetian cutaways are made from a single piece of wood on the rim. It is soaked, heated and slowly bent into those pleasing curves. Some wood can't take the stress and cracks. But if it doesn't, that's most of the process.

 

The Florentine cutaway is made of two pieces of wood that should match in pattern, usually from the same billet. The wood bending is better tolerated than in the Venetian, so cracks are much less common. But joining the two pieces is difficult. Getting a stable junction with a clean joint takes a lot of time.

 

So why bother with a Florentine cutaway? There may be a little bit more fret access, but it's mostly for the appearance.

 

A friend of mine is in the middle of a Golden Eagle/Super Eagle build. The dimensions of the body are wider and longer than the GE but less than the SE. He supplied his own top and rims. Jim tried to do the Venetian curving with great caution due to the expense of these billets. It seemed to go well but the next day he noticed cracks. So now my friend will get a Florentine. If the billet was the usual stock it would have been tossed or perhaps used on a Sweet 16 or H575.

 

Either way it was destined to be a great guitar.

 

Posted

Great info! 600$ is still very reasonable. A while ago the biggest German Gibson dealer had a Super 400 with a Florentine cutaway for lousy 18949.00 Euros - and it didn't take them too long to sell it. The standard one with Venetian cutaway costs 10599.00. For just the difference in price, you could get two Golden Eagles.

 

http://www.thomann.de/de/gibson_super_400_ces_florentine_vsb.htm

 

http://www.thomann.de/de/gibson_super_400_ces_vsb.htm

Posted

Why Florentine cutaways cost so much more

Because they are worth it.

Posted

Any idea if un-cut is an up-charge? A 17" version of my 575 with a five piece neck, plain ebony finger board and maple sides and back would be worth saving for. Think I saw one in black lacquer once......

Posted

 

It can be nice having a Kalamazoo crafted Florentine.... they do exceptional work on them.

IM001217%2520Cent%2520top_side.JPG

 

 

Well there's cutaway's and then there's CUTAWAYS!!! Killer extra binding on that one of a kind Heritage...best I've seen bar none...what a proud papa you must be FZ!

Posted

 

It can be nice having a Kalamazoo crafted Florentine.... they do exceptional work on them.

That's why I was convinced the sweet 16 was going to cure my gas. Yours is a magnificent specimen to be sure. What is hiding in all those trees?

Posted

Thats an interesting tale on how they do them. We should have asked at one of the PSPs. I know I didn't. I'm completely amazed when I hear how these guitars are built.

 

Personally, I don't care for the Florentine cut. Definitely in the Venetian cutaway camp. But I will admit there are some I've seen here that were very, very nice. Just not for me.

Posted

Makes me wonder about a Sweet 16 with a venetian cutaway. Does anyone know if they have ever done such a thing?

 

I asked about the Florentine cutaway on my Eagle build, very expensive adder.

Posted

There's a mnemonic to help remember which design is a Florentine and which is Venetian. The Florentine is sharp like the tines on a fork. Well, that never helped me. How I remember is that the sharp cutaway looks hot, just like Florence Henderson from the Brady Bunch. Pretty sad, isn't it?

Posted

There's a mnemonic to help remember which design is a Florentine and which is Venetian. The Florentine is sharp like the tines on a fork. Well, that never helped me. How I remember is that the sharp cutaway looks hot, just like Florence Henderson from the Brady Bunch. Pretty sad, isn't it?

 

Well there's at least 2 ways to look at that. Either we're both geezers old enough to recall Florence Henderson's role in that series, or you simply have a very warped sense of what defined "hot" in 1969...never heard of Raquel Welch back then!? :)

Posted

I like Florentine and Venetian cutaways!

 

gallery_8_136_472159.jpg

 

 

And that my friends is one consummate Heritage archtop collection...all bases are covered!!!

Posted

 

Interesting pickup in the neck of the Sweet 16, is that a KA ?

 

Yessir.

 

Both the Golden Eagle (black floater w/12 poles) and Sweet 16 (gold set-in w/12 poles) have Kent Armstrong handwound paf's. He and I discussed each application before he made them.

 

The 575 has HRW's, and the now departed 550 had some really sweet sounding Schallers.

Posted

I never realized they were that much more difficult to make. Good information!

I think I'm now leaning toward preferring the easier construction of the Venetian cut.

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