boanerges Posted November 1, 2007 Posted November 1, 2007 What's your take on the differences between the 150 and 157 models, sound wise? I owned a Gibson LP with ebony fingerboard, and that guitar was cold, sterile, completely out of sustain -- in short: dead. -boanerges
davesultra Posted November 1, 2007 Posted November 1, 2007 The 150s' are comparable with an LP Standard. The 157s' are like the LP Custom, more ornate and the Ebony board is generally thought to be brighter sounding. I tend to like both. I've never owned a 157, but I have had an LP Custom (and Standards too), I like(d) both. Somewhat an apples & oranges comparison. I plan to get a 157 as soon as the money tree blooms again.
Thundersteel Posted November 1, 2007 Posted November 1, 2007 I currently own an LP Custom, an H157, & an H150. I used to have an LP standard, but I sold it--it was nothing really special. MY 150/157 seem to have a certain "something" that makes me want to play them more than my LP. Soundwise, the 150 seems to have a "woodier" tone to it; I'm guessing because of the rosewood fretboard.
skydog Posted November 2, 2007 Posted November 2, 2007 I've never owned a 157, but I have owned 2 150's. I like the more workmanlike appearance of the 150. I'm not a good enough player to walk out with a 157!
golferwave Posted November 3, 2007 Posted November 3, 2007 The H-157 is a bit brighter with the ebony board but it's so smooth to play. It's just a matter of tone preference.
les paulverizer Posted December 19, 2007 Posted December 19, 2007 For me between rosewood and ebony it's a no brainer; I'll go for ebony any day! I might be weird (thank you, really!) but among the G Les Paul's I've had the ones with ebony 'boards were not only waaaaaay smoother to play but also superior in tone, no question asked; I dunno why but that's what it felt/sounded to me! 8) Tha's why the only G Les Paul I own now has got ebony, I got a H150 (my "standard", I guess....) and I plan to purchase an "157" a.s.a.p.
Kazwell Posted December 19, 2007 Posted December 19, 2007 I noticed immediately the feel of the fretboard on my H-150. It was noticably softer than other guitars I have played, which included others w rosewood fretboards. Don't know if this is just the quality of wood, the way it is treated or the fact the neck is so damn stable, I just tend to dig in more. Or all three. All I know is I love the feel of it. The softer wood could affect sustain to a degree. But let's not forget, both the 150 and 157 have those real MOP inlays that the strings are on top of evens the score to a degree. Depending on your positioning of course. Or does it?
yoslate Posted December 19, 2007 Posted December 19, 2007 Don't own a 157 (there have been some spectacular specimens here recently), but I have an '04 custom 150 with a 1 3/4" ebony board. I've had several LP Standards and Deluxes, including a '52 Goldtop, which I dearly wish I hadn't let go. The 150 and the '52, in terms of some technical detail, vintage, et.al. could not be more different, although both sport P-90's. But there is some inherent quality those two guitars share -- aesthetics, stability, "workmanlike appearance" (good observation, skydog), I dunno...balance, weight, responsiveness, lively feel, carve of the top,...Parsons Street...some sort of mystical equation that results in"inspired" better playing -- which, as swell as some of my Pauls have been, the other Pauls just didn't have.
skydog Posted December 20, 2007 Posted December 20, 2007 I too prefer the more blue collar/workmanlike appearance of the 150. But I'm sure glad they make both!
yoslate Posted December 20, 2007 Posted December 20, 2007 Workmanlike, right! My 150 doesn't even have a tune-o-matic, just a wraparound, like a Junior.
skydog Posted December 20, 2007 Posted December 20, 2007 Workmanlike, right! My 150 doesn't even have a tune-o-matic, just a wraparound, like a Junior. :uwp: java script:void(0); Grin
Dick Seacup Posted December 20, 2007 Posted December 20, 2007 Workmanlike, right! My 150 doesn't even have a tune-o-matic, just a wraparound, like a Junior. Would it happen to be a gold top? Wrap tail gold top would be awesome...truly workmanlike. Especially with P90s.
yoslate Posted December 20, 2007 Posted December 20, 2007 Actually, no, not a goldtop, Dick. Has a really nicely done Sunsetburst finish with pretty strong chevrons. And the P-90's are phat cats, which look like humbuckers with the pole pieces in the center of the cover. I am anxious to post pix, but have to wait until photog pal has time to do them right. Very anxious to hear what you guys think!
Kuz Posted December 21, 2007 Posted December 21, 2007 Just my opinion, to each his own. But I don't care for ebony finger boards on LP like guitars (including 150 & 157). I think you lose some of the warmth and the grit & grunt. I had a LP Custom Black Beauty and it got sold pretty quick. Now this is going to contradict myself, but I have no problems with the ebony boards on my 555, Sweet 16, or Golden Eagle. Maybe because they are semi-hollow or hollow it gives them some of there woody sound. My Cust 555 has rosewood board and I really like it. It sounds obviously like the classic 335 but comparing it to my other 555 with the ebony board, it has a little more classic LP sound. Hope that makes sense ;D
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