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Adding a mid pot to a DRRI


ingeneri

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Posted

Now that I'm back in the US I'm thinking of having some mods done to my DRRI. This includes clipping the bright switch and swapping in a neo Jensen speaker.

 

I'd like to add a mid pot, and would be interested if anyone has done this, where they put the pot, and how it worked out.

Posted

Hey, Matt. So, you're back. Welcome home. I had my Deluxe worked over by my Amp Guy Supreme, Dale Laslie, at DJL Vintage Audio, which is also MegaTone Amps. If you need the gory details, I can probably scare them up; just p.m. me. But yep, Got rid of what Dale refers to as "the turd caps" (because of their color), which he says are decidedly inferior OME, stuck in an Eminence Tonker, put in a Mercury output tranny, some vintage 6L's and 12 AX's, clipped the bright cap, put in a 4/8/16 ohm selector switch for an extension cab (my deeper 1x12 extension cab has the greatest effect on that amp's sound), and installed a push/pull mid-boost pot on the rear of the chassis (just to the right of the black info panel on the chassis). What I was after, which will differ greatly from you, I think, is a ballsy Blackface blues amp, which will work great with humbuckers and single coils, and not need any pedals. Plug and grind. But the mid-boost is a nice addition to the amp in that it does exactly that, brings up the mids, making the amp sound progressively less Fender "boxy" as the mids become more emphatic, and given that it's a pot, I can dial to taste. Did warm things up and round them off, which is something that I would imagine you might find appealing for your material. I have a live clip of it in action, but there were pedals involved, so I don't think that would be of any use to you. I am very pleased with the mod. Ultimately, what I'd probably like most is to turn the thing into just a head to use with a variety of cabs, and it would also be easier to load. Amazing the difference the slightly deeper cab makes. Hope this didn't just confuse the issue.

Posted

Recently went way overboard modding my DRRI. Had it point to pointed to 67 DR specs, new Mercury output and power transformers, Weber 12F150 speaker, new tubes. My guy made the vibrato channel treble a push/pull switch for the bright cap, really like that option. Improved the amp greatly, so much warmer and smoother on the top end and way better mids. Did not do a mid-boost pot so cannot speak to that one other than it sounds good!

Posted

Thanks guys, 'Slate did you have to get the new transformer to run 6l6 power tubes? If not, why the change?

 

Anyone have any thoughts on a Jensen neo versus a Tornado? I like the stock Jensen speaker, but would love both me and the amp to shed a few pounds.

Posted

'Slate did you have to get the new transformer to run 6l6 power tubes?

 

 

Brain fart, Matt. It's still running the 6V6's.... I've been modding a couple of my EL34 amps to 6L6's, so I had those on the brain. Sorry for any confusion. Dale thought the transformer-ectomy would make a qualitative change in the sound of the amp. With all the other changes, all done at once, I couldn't tell what the tranny did. But Dale's opinion is usually good enough for me.

Posted

You could use the extension speaker out as the spot for your mid pot. Most folks never use an extension speaker anyway. As for using 6L6's you would have to check your filament voltage and see if it's "dipping" under 6.3v. I've found that, most of the time, 5881's work well with just a rebias. The 5881 is also closer in transconductance to the 6V6 compared to a 6L6GC. Remember, using a higher wattage tube doesn't give you more wattage when your output transformer is a 22 watt unit, it just changes the sound a bit.

 

The Jensen Neo is nice but a little "flat" sounding to me. Maybe uncolored is a better term. I have no experience with the Tornado. My favorite Jensen "flavored" speaker is the Weber 12A150W.

Posted

My favorite Jensen "flavored" speaker is the Weber 12A150W.

Mine too, and it was the speaker that took the longest to break in than any other speaker I've ever used. My very good friend Troy continually

told me to hang on as that's what he's used in his vintage '66 Deluxe Reverb, and when I heard his amp wound up, I heard the tone I was

looking for so I was very patient. Now I couldn't imagine that amp with any other speaker...

 

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Posted

Mine too, and it was the speaker that took the longest to break in than any other speaker I've ever used. My very good friend Troy continually

told me to hang on as that's what he's used in his vintage '66 Deluxe Reverb, and when I heard his amp wound up, I heard the tone I was

looking for so I was very patient. Now I couldn't imagine that amp with any other speaker...

Tubeness.jpg

 

 

Daniel, that's a nice first production run DR you have there. The Deluxe Reverb was the first of the AA763 circuits to go into production. Even though the schematics were drawn up in July of 1963; hence the AA763 designation, the first ones came off the line in October of '63 followed by the Super Reverb in November of '63.

Posted

 

Daniel, that's a nice first production run DR you have there. The Deluxe Reverb was the first of the AA763 circuits to go into production. Even though the schematics were drawn up in July of 1963; hence the AA763 designation, the first ones came off the line in October of '63 followed by the Super Reverb in November of '63.

I was very lucky to have inherited this amp from a Rockabilly friend "Hal Holiday":) He wrote a famous rockabilly song called "Booze Party" and when his band started touring around this was the

amp he used. My friend Troy Angus got it up and running for me, he's my personal amp whisperer!

 

Here's an excerpt from the Rockabilly Hall Of Fame website about Hal...

 

Schneider, Hal "Holiday"

"Three Aces And A Joker Christmas and New years record. Sleigh Bell Rock and the flip side Booze Party. Written and recorded by Hal (Holiday) Schneider. These were rockabilly songs of the late fifties and early sixties. The song Booze Party was a big drinking song in Europe. It also has been recorded on about 13 different albums, to name a few: Cramps, Born To Be Bad, Speed Devils, Flyrite Boys and Sleigh Bell Bock has been recorded on albums such as Rockabilly Christmas and Christmas Rockin' the Fifties." - Hal Schneider

Posted

From the tube chart code it looks to be a January of 1964 completion date, but I'm sure most of the component codes date to late 1963. I see the output transformer has no "end bells" which is what they used on the previous brown Deluxe 6G3. Is your speaker actually the 12A150W or the standard cone version? They make a few different cones for that speaker; 12A150 standard and the 12A150 O, B, T, A or W.

Posted

Yep it's a transition model and I think I remember the cone being the W version with very light or no doping. I have the receipt in my studio, I'll check it out.

Posted

Yep it's a transition model and I think I remember the cone being the W version with very light or no doping. I have the receipt in my studio, I'll check it out.

 

I first heard the "12W" cone when Weber reconed a 1958 P12P for me. I then had them recone a pair of 1961 P12P's with that cone and a 50 watt voice coil. I was floored.

Posted

I wish I had 100 Webers...perhaps an overstatement. They need breaking in.

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