myoldfriend Posted October 25, 2018 Posted October 25, 2018 ... and then there's some "other stuff" after 2:17
Gitfiddler Posted October 25, 2018 Posted October 25, 2018 The Prospect sounded fantastic. The LP Jr. was so out of tune it made me cringe in spite of his great riffing.
tulk1 Posted October 25, 2018 Posted October 25, 2018 I like how the neck pup on the Prospect made the camera shutter and vibrate! That ES-336 was ............. pretty.
tbonesullivan Posted October 26, 2018 Posted October 26, 2018 You would think someone demo'ing such an expensive and rare amp would do more to show the full capabilities of it, tone-wise. Also seriously, they need to get that guitar tuned and/or intonated. With that bridge there is no excuse for any out of tune notes.
212Mavguy Posted October 31, 2018 Posted October 31, 2018 Waaaay too busy with the fingers. Where was an example of sustain and harmonic taking over for the fundamental in single note work? He had way more skills than I but he had no feel.. . I don't think that he owned the amp, it sounded like he got to play through a friends's toy. A real test is playing along with a band, not just sitting there making noise. The tone stack settings looked a bit strange, and the master was set waaay high. It sounded like the OD trimmer was set low. That was a really early early Overdrive Supreme build, Altec 417h II is uncommon in later ones. EVM 12L is more commonly found in a 1/12 combo... Kenny Loggins D-tones in the Full Sail album sounded much much better. YMMV
tsp17 Posted December 30, 2018 Posted December 30, 2018 On 10/25/2018 at 8:23 AM, tulk1 said: I like how the neck pup on the Prospect made the camera shutter and vibrate! Yep- and that was pretty sweet on the Prospect all around.
TalismanRich Posted December 30, 2018 Posted December 30, 2018 DId anyone notice the noise around 2:07 when he was changing the knobs? Sounds like dirty pots on the Gibson as well. Maybe someone needs to send him some Radio Shack tuner cleaner!
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