holdgaj Posted December 4, 2007 Posted December 4, 2007 After reading reviews of the Prospect standard it seems that some people use it for Jazz playing - It has a floating centre block - any Jazzers out there using the prospect standard ? I'd be interested in your experiences
Heritage4 Posted December 6, 2007 Posted December 6, 2007 YES!! Although I play a wide variety of styles I do several gigs just playing jazz. The Prospect because of the "floating" block is usually one of my first choices. Mine has a very warm tone and I usually set the amp with the bass at 10, mids at 8 and treble at 6, and find that I get a very "jazzy" tone. Also like my H555 and Guild Starfire 5 for the jazz sets. Heritage4
Gitfiddler Posted December 6, 2007 Posted December 6, 2007 I don't own a Prospect, but am curious what kind of amps you guys are using...especially with the bass boosted to '10'!? (solid state?) On most tube rigs that delivers a fairly muddy tone. One of my best guitar buddies plays a semi-hollow Academy Custom for jazz. Similar git to a Prospect, but I'm not sure about the inards (floating or non-floating tone block) construction. Like many players he EQ's his amp fairly flat, and rolls back the tone pot on his guitar.
Dick Seacup Posted December 6, 2007 Posted December 6, 2007 I don't own a Prospect, but am curious what kind of amps you guys are using...especially with the bass boosted to '10'!? (solid state?) On most tube rigs that delivers a fairly muddy tone. I figured he was talking "o'clock" positioning. But, having the treble rolled down that much seems like it'd get muddy, too. I'll have to try it on my amps when I get home just for grins.
Heritage4 Posted December 7, 2007 Posted December 7, 2007 I have a Fender Pro Concert Reverb, a Peavey Classic 30, and a Fender Stage 100. The bass is always full up, the mids around 8, and the treble between 6 and 8 depending on the room and volume. The first two amps listed are tube amps, the third a solid state. I have never had a problem with being muddy, but then my volume isn't skull splitting either. Depending on the room and tune and other facors I usually set the volume between 3 1/2 and maybe 5. It also might be noted that I use Gibson B.B King signature nickel wound strings gauged 54 to 10 with an unwrapped third. Hope that helps. Heritage4
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