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Heritage Owners Club

50's wiring, just did it...anyone else try it?


paul144

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I just wired both my 140's to '50s wiring. Totally cleared up the loss of highs when rolling off the vol controls.

Makes the tone controls more usable, they do act a bit different than before. With everything on 10 I can't hear anything different from the original wiring. With the vol rolled down a bit, the tone acts like a midrange control...very cool.

 

I just found some NOS Schaller Nashville bridges on ebay (they weren't even notched yet!), bought 2 to swap out the roller bridges. I'm not liking the Schaller stop tail either, the windings at the ball end of the strings kinda dig into my hand sometimes. Gonna swap them also.

 

Some quick & easy fixes...

 

Jury is still out on the Schaller pickups though, I can't see any reason to change them, they sound pretty good.

They are just a tad bright, maybe because its a thinner mahogany slab with the same size maple cap as a 150?

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Have thought about trying that, but haven't gotten around to it. Throbak recommended I try when he sent his pickups, but I wanted to hear a head to head with the pickups I replaced so didn't on a semi-hollow. I'd more likely do it on a solid like you with the easier access. Good to hear that you like it - thanks for the report.

 

But, you didn't mention... what happens when you crank it to 11? ^_^

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Yeah, I never cared for the Shaller roller bridge o the bulky Shcaller tail piece either. Put on a good Nashville style bridge and traditional stop tail piece. The guitar will look and sound better imho. I'm glad to see that the Nashville bridge and stop tail piece are becoming the norm for Heritage. Now if we could only get them to go back to the ABR1...

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I did the 50's wiring a while ago, like it a lot. I actually use the knobs now!
Sounds like it might be something I would want to do to my 140..I am not electronically inclined though..Is it a difficult thing to do?
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the way it is now...copy & paste link into browser.

http://www.dominocs.com/Gibson/WiringLibra...iringModern.jpg

 

the way it should be...

 

http://www.dominocs.com/Gibson/WiringLibrary/wiring50s.jpg

 

 

I read some reviews that said the change of the cap on the tone pot is not necessary, so just move it from the left lug of the volume pot to the center lug and that should do the trick. If not, then move it on the tone pot (unsolder the lug from the pot casing and solder the cap there, then push the middle lug back to the casing and solder).

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a helpful protective tip...take some paper and mask off the back of the guitar all around the cavity (like a surgeon would do, lol) then tape it all in place. This will protect the finish from any accidental solder droppings (I unfortunately learned this the hard way ^_^

 

Tape around the edges of the cavity (and into the cavity about 1/2 inch) with masking tape to prevent the soldering iron from accidentally touching the wood and leaving a burn mark. Also tape any wires in the cavity to the guitar body to keep them out of your way when working so they don't get burned.

 

Its pretty easy to do, the pre-op takes the most time but its worth it.

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All of mine have the 50's wiring. Makes the knobs more precise and usable. Don't know why they ever got away from it and started using the "modern" wiring scheme. Like everything else it must be cheaper to do.

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  • 4 weeks later...
  • 3 weeks later...
what are those caps like ?, what do they do to the tone. I was thinking of putting a bumble bee style cap on the stat dlx. are you happy with them?

 

sorry for late reply.

 

those caps are russian NOS paper in oil caps.

they are pretty warm sounding and affect a perfect range

of really useable sounds, even turned down.

 

the neck pup, for example, sounds from clicking to singing.

 

one more suggestion:

 

try to turn the cap and listen, you'll be surprised :D

 

cheers

klaus

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Interstingly, this also belongs in the "do you change your pots and caps" thread...

 

 

Over there I made a post that I'd change caps before swapping anything else.... actually, I'd make sure to go "50s wiring" before I did anything else.

 

Volume and Tone controls become interactive.

 

When I first got my H150 I could not get the response and use of the volume and tone pots like I did on my strat, and I emailed Jay Wolfe, whom I got the git from, complaining that they were not doing what I wanted.

 

His response was that he liked my problem! He also said that some don't, and to try 50s wiring and see if I liked that better.

 

That did it!

 

When I'm doing a gig or rehersal, or whatever, I eq my amp w/ volume pots on 4 or 5 to get a percussive clean tone. When I dial that in, I know that I have more volume w/clean tones & different dynamics available, and if I open up the volume all the way or close, some hair/distortion.

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Yeah, I never cared for the Shaller roller bridge o the bulky Shcaller tail piece either. Put on a good Nashville style bridge and traditional stop tail piece. The guitar will look and sound better imho. I'm glad to see that the Nashville bridge and stop tail piece are becoming the norm for Heritage. Now if we could only get them to go back to the ABR1...

+1K on that amen... the guitar will sound better 100%. the technical construction of the roller bridge did not connect with me, having the saddles movable loses the tone/vibration transfer big time, plus why would I need to alter my string spacing which seems to be a feature of these bridges?

I traded all my Schaller/Heritage hardware to John Kinnemeyer of J.K. Luthrie, the excellent music bookseller for a Peter Green Bio, best deal ever. The stoptails, don't get me started!! This is an absolutely essential part of the tone transfer and to have that shape and all that mass and just to have a quick load string design, excuse me, how ridiculous. See my GM for sale post...

Plus the GM's are too heavy for an ABR-1 I feel and I preferred the Nashville back when I bought my GM's, they suit the guitar very well.. So that's why I rave on about my GM's, they are to me..technically perfect and I love them.

I went as far as to have both boards re-leveled and re fretted, plus the nut improved slightly,...huge difference , allowing the guitar to breathe and get the tonnus maximus out of them..

Good work, now get some Rick Norman pickups and you will be set!

As far as '50's wiring...is there any other way!! I have '50's wiring with a Dr. Vintage early soec controls set on my '52/'56 Les Paul Goldtop conversion and the difference is night and day, not that the guitar of course didn't already have the '50's wiring being a '50's guitar of course but the pots/taper and wiring caps make a huge difference, check out Dr.Vintage's site, besides being a friend of mine, he makes some killer stuff!!

yngwie308

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