brentrocks

My old “heritage” back home for a setup!!! This was originally a 1989 Heritage H150. The 1988, 1989 and early 1990 H150s bodies were the EXACT SAME CUT as a Gibson Les Paul Standard!!!! It suffered a really bad neck break!!! A local luthier constructed a Gibson Headstock and repaired the neck!!! When I bought the guitar for the first time, I had the middle pickup route done by Pete Moreno. I was trying to make an Ace FREHLEY “smoker” clone. I also added the milk bottle tuners. Added the DIMARZIO pups. Completely re wired it. Then I sold it to a friend. Then I bought it back. Then I sold it to that friend again. Chris asked me to do a string change and a setup on it. It’s 11.25 lbs!!!! But it plays so good!!! And the tone is absolutely amazing!!!

I was thinking, a T-shirt, a hat, and a couple of petals! lol

I wonder how much money they’re making off that video? I should get a cut since they’re using my photographs without my permission!

I saw that on the wall just before you bought it and I was thinking. THAT IS A BEAUTIFUL GUITAR CONGRATS!!!

Holy shit!! That’s beautiful!!!

WOW!!!! I love my 157s!!!

Beautiful

That junior!!!!! Oh man. I’d love to have that back.

He’ll never get it…. https://reverb.com/item/87323854-the-heritage-marvbird-h-357-pelham-blue?utm_source=rev-ios-app&utm_medium=ios-share&utm_campaign=listing&utm_content=87323854

I put a Duncan JB in the bridge position last night and discovered that it is a mahogany body with a carved maple cap that has the Ash veneer on top of that. I should have taken a pic. I forgot. lol. 😆

I love a good Floyd rose. Over the years I have learned how to set them up properly and they can be lots of fun

Well I finally had time to dive into this guitar today. I have mixed feelings about it. The construction/fit and finish are quite good. Fretwork is pretty good too. The electronics are very decent. I’m not exactly in love with the bridge pickup. I love the neck pickup. The push/pull coil taps are useless to me. I’ll never use them. But the pots have good taper (mini pots). The toggle switch is very tight. I’m able to get a pretty low action. There were 2 main problems. One, the tremolo springs rubbed the bottom of the cavity when you did a divebomb….thats not good!! So I had to take a wood file and file away some wood inside the trem cavity. Two, the Floyd would not stay in tune. Cheap springs!!!! I set it up for 9s. Came from the factory with 10a. !!! I bought a set of Floyd Rose noiseless springs….problem solved. The neck carve is a medium C. It’s close to a 60s neck. The satin finish is smooth as a baby’s bottom. Fast n smooth. The sculpted heel joint is great for upper register access. It’s light and quite resonant. Playability is quite good. Neck has almost no relief and sets up quite nicely. If I wasn’t a DIY person, I probably would’ve instantly boxed it back up for a refund. The springs rubbing on the back cavity, in my opinion, is a huge drop of the ball by QC! That is inexcusable, especially for a Guitar of that design and style! And is obviously a playability and Tone problem because when the springs rub against the wood like that, it obviously makes a really bad noise that disrupt the vibration of the strings! As far as the Tremolo not staying in tune, I think it was a combination of junk strings and bad springs. I put a nice little dab of BIG BENDS nut sauce on each pivot point of the Tremelo before I installed the new strings on it and between that and the new springs, I am not having any tuning issues at all. And I do some pretty heavy dive bombs with it. After a lot of TLC, this is actually a really nice guitar. Out of the box, it was not. And I blame Heritage for not checking for quality control issues, this Guitar was in Kalamazoo before it shipped off to me so they had every opportunity to double check the quality control of the Chinese factory, and obviously they chose not to! If you’re going to charge $1200 for a Chinese made guitar with the Heritage name on it, the QC needs to be A LOT BETTER!!!!