what's your favorite amp?

With my Heritage it's my Mesa Rosette . (300w  2x8 with horn)  it is sublime for clean electric or Acoustic 

 For Rock I have Studio 22+ Mesa/Boogie and for Bass  a Mesa  800w Tube/D with 2x15 and horn

 
 I guess it's time to check on those 56 year old RS filter caps. I bought some new RIFA's a while back, but the amp was working fine so didn't install them yet. Since I haven't been using it much the originals probably dried up on me :(

 
A friend loaned me his 1964 super reverb. It sounds and feels so friggin good. I can't get enough of it.
I'd love to play one of those!

This kid just kills it on Fender amps.... But he can play them at the right volume to find their sweet spots for tone.  Amazing player, he can emulate SRV better than just about anyone.  



 
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I've met Buddy a number of times.  He played at a Windsor International Blues Festival and I loaned him my Maz 38 (silver head behind him in picture).  He is a fantastic human being as well as a great guitar player!  John Mayall once called him "the greatest Bluesbreaker" which would put him a rarified group of guitarists (Mick Taylor, Walter Trout, Clapton, Coco Montoya, Peter Green)

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Headstrong Verbrovibe.  As a long time Marshall guy, I never thought I would enjoy an amp like this as much as I do.

 
 "For electric, my trusty Mesa/Boogie Studio .22+ I've had for 30+ years"View attachment 28299
I've been a fan of the Studio 22+ since they came out, other than the hissy preamp which bothered me in the studio. I had one, the 5 band EQ version, but it was stolen from me, and I miss it to this day. As a live amp it killed, I toured for 5 years with it, and it never failed to give up the goods. It also sounded great as a head through a Marshall 4x10 bottom. I went through a bunch of smaller Mesa amps to try and replace it, but everything came up short, until I found a magic DC-2 that did the trick, especially when I replaced the stock speaker with a Weber 125A.

But a little more than a month ago, I bought a Mesa Fillmore 50, and it surpasses every Mesa amp that I've owned. It is a phenomenal amp with two identical channels. And for me, not being able to dial in a good lead tone that worked with my slightly crunchy rhythm tone, had always been the achilles heel with every Mesa that I'd owned. The lead tones were always too mid-focused for what I wanted. 

But on the Fillmore, the lead channel distortion tone is very tweed like, open and balanced across the frequency spectrum, which is what I love, and I can dial either a slightly pushed tweed-like tone or a clean blackface-like tone on the rhythm channel. The reverb is out of this world, it is so deep that I hardly bring it past two on the dial! And any guitar that I plug into it sounds great. It also has the best tone stack I've ever used on a Mesa, making it very easy to dial in the tones, unlike most every other Mesa amp. And it's a reasonable weight for a Mesa (under 50 pounds).

For "my kind of tone" it's the best single amp Mesa has ever made, and yes, I've tried them all. I have a bunch of great amps (Vintage Fender, Marshall, Victoria, Clark, Tophat, etc), and the Mesa is my favorite. It's so good, it's the only amp that I keep in my house now, and that's where I write most of my songs and do most of my demos for those songs! The only thing I wished it had was a tremolo circuit. 

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Rockin' at the Fillmore!

That's a nice looking amp

 
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